Maddie Morris & Hannah Scott
Maddie Morris is an artist who strives to make a difference in the world. Bold, insightful and refreshingly unique, she takes traditional song in new directions to shine a light on contemporary issues, offering new perspectives about the world we live in today. After graduating with a first-class honours degree from Leeds Conservatoire, Maddie soon made waves by winning the 2019 BBC Radio 2 Young Folk Award, as well as landing a grant from the Alan Surtees Trust. From these firm foundations, her career has gone from strength to strength, with recent performances including Cropredy and Cambridge Folk Festival.
Folk songs have always told stories, but how Maddie makes her mark is by turning this storytelling into action. Described by Jim Moray as “leading the next generation of socially conscious songwriters”, she uses her work to highlight inequality, challenge viewpoints and provide an inclusive space for shared experiences.
Whether she’s turning a centuries-old ballad on its head or writing something completely new, Maddie places her focus on drawing out true meaning rather than being true to tradition. From tweaking tunings to adding ornamentation, she’s never afraid to put her own stamp on things and create something distinctively her own.
'Maddie Morris is an extremely accomplished young singer - not just the possessor of a haunting and delicately ornamented vocal style, but also a performer with serious insight into how to tell a story in song. Traditional ballads or inclusive social commentary - she always connects with the deepest meaning in her material. Not to be missed by any audience wanting to hear something new and passionate.' - Nancy Kerr
Hannah Scott is a consummate storyteller. Her music is shaped by human stories, with family, in all its chaos and glory, sitting at the heart of her work. Her lyrics are powerful and poignant, and her voice feels strangely familiar, though you can’t quite put your finger on why. Her writing may be deeply personal but her music has a universal appeal that extends beyond the melodies you catch yourself humming days after listening to her songs.
The connection she forges with her audiences often finds its most profound expression in the stories shared by audience members after her performances: the woman whose elderly mother lost a sibling in childhood and is moved to tears by Boy In The Frame; the young father who, upon hearing My Dad & I, realises he wants to spend more time with his small children; the adoptive parents who, like Hannah as a step-parent, may not have been the first person to hold their child, but Love You Like I Did. A deep-rooted desire for this connection has always been the driving force behind her songwriting and live performances.
Hannah’s career highlights include having her song No Gravity featured on the hit international TV series Grey’s Anatomy, recording a live session on BBC Radio 2 with Dermot O’Leary and opening for Madeleine Peyroux, performing to an audience of two thousand. She has also shared the stage with folk luminaries such as Seth Lakeman, Cara Dillon and Fairport Convention and has performed at festivals including Cambridge, Sidmouth and Manchester Folk. Equally at home in small venues, she thrives on the intimacy of performing in spaces where she can look audience members in the eye, and, of course, speak with them after the show.
Hannah has just released “Absence Of Doubt”, her third studio album and the first she has self-produced alongside acclaimed engineer/producer Adrian Hall (Tori Amos, Anna Calvi). These songs are inspired by the greatest of human emotions – love, parenthood, grief – and an unwavering yearning for life, even during its darkest moments.
'She reduces women and children to tears – in a good way.' - The Guardian
'And grown men.' - Tom Besford, CEO, English Folk Expo & Richard Haswell, Liverpool Philharmonic
'This is beautiful.' - Dermot O’Leary, BBC Radio 2
